The Lucky Dog (again)
The Lucky Dog (again)
"I reduced painting to its logical conclusion and exhibited three canvases:
red, blue, and yellow. I affirmed: this is the end of painting."
Rodchenko, 1921, (on the birth of the monochrome?)
Or, The Artist As Stan Laurel
(all images from ‘The Lucky Dog’, 1921 or 1917 - production date subject to debate)
Or, as Maurice Blanchot suggests:
“The disaster ruins everything” and at the same time “The disaster takes care of everything”
(from ‘The Writing of the Disaster’ (Nebraska, 1986), pps.1 and 3)
Test installation shots